Last changed
3 Dec 1998 ............... Length about 2,000 words (18,000 bytes).
Then
21 Dec 2010
This is a WWW document by Steve Draper, installed at http://www.psy.gla.ac.uk/~steve/courses/vision/level1.html.
You may copy it. How to refer to it.
Web site logical path:
[www.psy.gla.ac.uk]
[~steve]
[courses]
[vision]
[this page]
Level 1: the first 6 vision lectures
Stephen W. Draper
(Office hours)
Department of Psychology
University of Glasgow
Glasgow G12 8QQ U.K.
email: steve@psy.gla.ac.uk
WWW URL:
http://www.psy.gla.ac.uk/~steve/
Phone: 0141-330 4961 (messages: 5089)
fax: 0141-330 5086
Level 1, Psychology
Perception and visual cognition
Section 4.4.8 (p.23 in the handbook ("course information documentation"))
Lectures 1-3. Week 7, term 1.
Chapter 4 (Bernstein et al., 4th edition)
This web page summarises the learning work associated with these 3
lectures.
To contact me, I suggest using email or coming to see me during
my office hours.
(My contact details are above.)
- Light and the eye (physics) pp.87-90 & 96-101
- Colour vision (perception) pp.101-106
- Visual processing in the brain (neurophysiology,
information processing) pp.106-111
- Psychophysics: the classical constructs of psychophysics. pp.128-133
- Perceptual organisation pp.133-143
- Prior knowledge in perception pp.127; 144-147
A good technique is to copy each of these summaries on to a sheet of paper,
widely spaced, to take into the lecture. You can use these to pre-structure
notes you take during the lecture, and to check if the lecturer leaves something
out: if so, ask a question.
Lecture 1
Light and the eye (physics) pp.87-90 and 96-101.
Sensory systems: the physics of visual perception.
Transduction, receptors, adaptation, coding.
Frequency, wavelength, and intensity of light.
Focussing, the lens, iris, cornea, pupil and retina of the eye.
Images, receptors, rods, cones and fovea.
Convergence and lateral inhibition.
Photoreceptors, interneurons, bipolar and ganglion cells.
Objectives: Students will be able to:
* state the nature of sensory systems
* define coding
* describe basic properties of light
* describe the basic structure of the eye
Lecture 2
Colour vision (perception) pp.101-106.
Colour vision and the perceptual aspect of the visual sensory system
Light wavelengths and intensity.
Hue, saturation, brightness.
Trichromatic theory: red, green, blue components.
Opponent-process theory, complementary colours: red/green, yellow/blue,
black/white.
Colour blindness and anomalies.
Objectives: Students will be able to:
* describe the physical basis underlying colour
* outline theories and representations of colour
Lecture 3
Visual processing in the brain (neurophysiology,
information processing) pp.106-111
The neurophysiology of vision and visual representations.
Visual pathways, optic nerve, optic chiasm, LGN, visual cortex.
Hierarchical and parallel processing.
Spatial frequencies and multiple scales.
Objectives: Students will be able to:
* describe the visual pathway and its components
* describe basic visual representations instantiated in the brain
* discuss the importance of representation
An OHP slide on four different aspects in neurophysiology
(and diagrams)
An OHP slide on the relationship between anatomic terms for parts of the brain
Lecture 4
Psychophysics: the classical constructs of psychophysics. pp.128-133
Psychophysics: physics (stimuli) in; psychological output (e.g. behavioural
choice).
The threshold problem and signal detection theory. ("Is X there or not?").
Judging differences between stimuli. ("Are two stimuli the same?")
JNDs -- Just noticeable differences, or difference thresholds.
Weber's law: JND = K I (a constant times Intensity of the stimulus).
Fechner's law: ("How big is the stimulus?")
Constant increases in I, less and less increase in perceived magnitude.
Stevens' power law.
Lecture 5
Perceptual organisation pp.133-143
The figure/ground problem
Gestalt principles of perceptual organisation:
- Proximity (closeness)
- Similarity
- Continuity
- Closure
- Texture
- Simplicity
- Common fate (common motion)
- Common region
Depth and distance cues: monocular and binocular
- Relative size
- Height in the visual field (ground plane assumption)
- Interposition (occlusion, occultation)
- Linear perspective
- Reduced clarity (haziness)
- Light and shadow (light source assumed to come from above)
- Gradients: (texture, movement (parallax))
- Accommodation (changing the focus of the eye)
- Perception of motion (looming; optic flow)
- Convergence (of the each eye's line of sight inwards)
- Binocular disparity (stereopsis)
Constancy of: size, shape, brightness
(Visual Illusions)
Lecture 6
Prior knowledge in perception pp.127; 144-147
Three approaches to visual perception:
Ecological
What is it for? Functional, only works in a niche. Focusses on supporting
action, not understanding. Denies BOTH top down and bottom up approaches, and
argues for "direct" perception.
Constructionist
Data not enough; add knowledge of the world. Focusses on recognition and
understanding.
Computational
Who cares? find out how a vision system could work. Has often (but not
necessarily) tended to focus on bottom-up processing (see below); may be the
least neglectful of the uses of vision for detecting surprises and danger.
Top down vs. bottom up processing
Hypothesis first; or data first
Guesses /expectations about objects first; or assemble cues
Effects showing the effect of prior knowledge (as well as current sensory
input) i.e. supporting a constructionist view.
"Describe the neurophysiology of the eye".
(An
outline answer plan is available.)
Each lecture can be thought of as having 3 aspects:
- The core material, summarised in the handbook and repeated above. If
you know this material, you will do the exams well. Exam and essay questions
are likely to be constructed around the learning objectives listed e.g.
"Describe the nature of sensory systems, with special emphasis on the visual
system". This core material is fully covered in the textbook. The lectures
are an alternative to reading, and include some examples and demonstrations
that may help you understand and remember.
- Fundamental concepts associated with them. Listed below, these
are concepts that are important and will recur repeatedly in later lectures
and later years, even though they may only be introduced quite briefly here.
If you want to know which are the deep ideas worth further thought, start
with these.
- Critical thinking questions. These questions usually
do not have answers we agree on, but are interesting to try to answer. You
are recommended to try to answer them both because you may find them
interesting, and because you will end up understanding and remembering
the associated issues (that you will be tested on) better.
- Representation (coding)
- A lot of our theory is easiest to think about as if perception consisted
of a linear assembly-line of processing from light waves to final percept.
One aspect of this is the old terminology of sensation vs. perception:
reflecting an old and wrong idea that first there are physical stimuli, which
are converted into sensations, which are then converted into percepts.
Although an important part of the story, that is NOT really how it is:
various different sources of data are combined.
Examples of things that don't fit this include:
- Why are there nerve paths back from the cortext to the LGN?
- If you press your eyeball with your finger, the world seems to move: that
is because your visual perception uses not only signals from the optic nerve
but also signals from your eye muscles.
- Our sense of balance and motion, and of motion sickness, comes from the
combination and comparison of what we see, what we sense in our joints
(proprioception), and what we sense in the vestibular system of our inner ears.
In the end, we should be
thinking about overall systems, and the convergence (and competition) of
different sources of information.
-
Physics - (neuro)physiology - information processing (computation) -
perception. These are 4 perspectives, often pursued using quite different
research techniques in different departments, on the same topic of
perception. Realising which perspective is being used, and understanding
how the different perspectives relate, is non-trivial and you can sometimes
detect even experts making errors in this.
These involve at least these kinds of research:
Physical measures, neurophysiological observations, brain damage
observations, perceptions (introspection, what the subject becomes conscious
of), behavioural experiments, computational models.
And they are used in various combinations. For instance psychophysics is when
you do experiments that vary the physical input, and report the perceptual
experience (or perhaps the behaviour) of the participant.
These lectures are also about the relationship (for vision) of physics,
neurophysiology, and the resulting perception; and how these revolve around
and perhaps can be explained by representations.
-
The textbook (and lecture 6) talk about the constructionist, ecological, and
computational approach to visual perception. These are not different
disciplines or research techniques but different kinds of theory, which lead
to focussing on different cases as particularly important.
Although their most fervent proponents see these as incompatible and
opposed to each other, others have seen the best view as lying in some
combination of these views.
-
Some of the different aspects involved in understanding perception fully are
implied by the different kinds of diagram you see, or want to see, of the
neurophysiology:
- Physical layout: 3D facts, and how to recognise it for dissection
- Sequence and connectivity: how the cells are connected together (NOT just
to neighbours, but often to distant cells in very particular ways).
- Function from high/overall perspective.
I.e. what are the cells doing? What function do they carry out?
What are they computing?
- Evolution and development ("phylogeny" and "ontogeny").
How an anatomical structure relates to one in other animals
These usually
do not have answers we agree on, but are interesting to try to answer. You
are recommended to try to answer them both because you may find them
interesting, and because you will understand and remember the associated
issues (that you will be tested on) better.
- What is vision for? For instance some plants have a kind of vision (to
tell which way is up for a seed to grow). You can use vision for:
day/night; time of day; motion; which way is up; ...
- What other senses are there / could there be?
- How else could vision have been implemented?
(What is particular/accidental/implementation detail; individual differences;
What is possible; What is true of all systems i.e. necessary.)
Completely different kinds of eyes from ours have evolved.
We focus by changing the shape of our lens; but cameras focus by moving the
lens forwards and backwards.
- Why not 5 colour systems?
- Colour language terms. Do people agree on what words like "blue" really
mean?.
- Is colour blindness a disadvantage?
What can't you do if you are colour blind?
Sometimes people with colour anomalies can see through camouflage the rest of
us are fooled by.
- Are there colours you could experience, but never have?
- Why can't we see vividly our blind spot? E.g. like a black disk obscuring
our vision? Even though we can't see there, surely it would be safer for our
visual system to tell us there is a gap in its abilities?
- Why should our judgement of light intensity follow
Fechner's law, when our judgement of the intensity of electric shock does not?
- Using pencil and paper, work out some examples that set the 8 Gestalt
principles in conflict (predicit different groupings for the same example
picture). With 8 principles, there are in theory 8*7/2 = 28 possible
conflicts to explore; but attempting even a few will get you thinking about
these principles from a new angle.
- Try the same thing for depth cues. In fact impossible objects can
sometimes be generated like this; but in other cases, one cue just seems to
win over another.
- Think of cases where you think your expectations have affected what you saw.
Are these cases support for the constructionist view of perception, or did
they operate at another level?
Here are some questions that occurred to me in preparing the lectures, and which
I couldn't immediately find answers for. I would like to know the answers, so
let me know (by email) if you find them.
- Why aren't the rods integrated into the colour vision system? e.g. why
don't we use the rods instead of one of the cone types. Even if there is some
reason why the cell types of rods and cones must be different, why don't we
use the same photopigment in rods and one of the cones? As it is, we have 4
photopigments but only a 3 colour perceptual system.
- What does a) "rod monochromacy" b) "cone monochromacy" mean? (?a) no
cones b) only 1 not 3 types of cone?)
Bernstein,D.A., Clarke-Stewart,A., Roy,E.J. & Wickens,C.D. (1997)
Psychology (Fourth edition) (Houghton Mifflin: New York)
[The course textbook: read the whole of chapter 4 and 5 to expand on these lectures.]
Bruce,V. & Green,P.R. (1990)
Visual perception: physiology, psychology and ecology
2nd edition psy F10
[Especially useful for lectures 5 and 6]
Wandell, Brian A. (1995) Foundations of vision
(Sunderland, Mass. : Sinauer Associates) Level 5 Main Lib Physiology RV8 1995-W
[This is much deeper than you need to go: but you may still find parts of
it interesting especially p.315 onwards.]
R.N.Nesse & G.C. Williams "Evolution and the origins of disease" Scientific
American Nov.1998 vol.279 no.5 pp.58-65
[For a brief but interesting point on the blind spot.]
Sacks,Oliver (1996) The island of the colour-blind (Picador)
[Sacks is always interesting; and available in paperback.]
Dawkins, Richard (1995) River out of Eden : a Darwinian view of life
Level 5 Main Lib Biology R30 1995-D
[This has a long discussion about evolution of the eye (roughly pp.65-84),
and is easy to read. I believe it is also a Penguin paperback.]
Robert Sekuler, Randolph Blake. (1994) Perception (third edition)
(New York ; London : McGraw-Hill)
Level 2 Short Loan Psychology F10 SEK
[The appendix "Behavioral methods for studying perception" is an excellent
short piece of extra reading on psychophysics.]
The slides
from another version of lectures 4-6.
Some web notes on Gibson (cf. lecture 6), originally for a level 4
course.
To see an illustration and use of the hue, saturation, and brightness
representation of colour, look in the WWW browser you are now using.
Look somewhere like "Options" then "General Preferences" then "Colours" then
click on one of the colours you are allowed to change.
You will probably then be offered a circle to set hue and saturation, and a
slider for brightness.
Medical Guide - Anatomy of an Eye
A list of numerical facts about the eye and vision
A collection of visual illusions
A site for vision researchers
Autostereograms, just for fun
There is a general article on autostereograms in New Scientist
1993, Oct. 9 pp.26-29 "How to play tricks with dots" by H.Thimbleby & C.Neesham
Some things for this section are available on the WWW. You can read
them online and/or print them off. I have created a special page with the most
relevant pointers, and you might want to look at other stuff on my home page.
To get at all this:
Go to a computer cluster and log on.
Start up the WWW software (a "browser" like Netscape or Internet Explorer).
The address (called "URL") of the special page is:
http://www.psy.gla.ac.uk/~steve/courses/vision/level1.html
My own home page is:
http://www.psy.gla.ac.uk/~steve/
Notes:
- a) If you start typing at "www" i.e. omit the "http" the browser will probably
fill that in for you
- b) The character "~" is called a "tilde". It is on every keyboard, but not in
any standard position: you may take a minute to find it.
- c) You would also be able to find the page anyway: get to the
university pages (probably where the browser starts up if you are using a
university computer cluster), from there find the psychology department
pages, from there find my page, from there find a link to the level 1
page.
- d) On the WWW, click buttons and links ONCE only, not twice.
- e) Accessing web pages from the USA can be slow: particularly on weekday
afternoons. If you get frustrated, try weekends.
Unlike printed books, documents on the web may be modified or deleted at any
time.
=>Because of this, you may need to check a page periodically to see if it
has been updated: check the modification date if it has one (there is one at
the top of this document).
=>Because of this, citing such documents should take account of this. A
sample citation might be:
Draper (1997, April, 11) Adding (negotiated) learning management to models of
teaching and learning [WWW document] URL:
http://www.psy.gla.ac.uk/~steve/TLP.management.html (visited 1997, Nov, 5)
For more on how to cite web documents, click on this.
Related pages:
[this page]
[lectures
4-6(last year's notes)]
[Top of this page]